WHY DID I CRY THROUGHOUT THE MOVIE “BROOKLYN”?
At least
five minutes into this beautiful film about a young Irish woman moving to
America in the 1950s, the tears started.
“Brooklyn” taps into something profound and universal that should make
all of us take notice, Irish or not.
One can’t help but be moved
watching the faces of Irish mothers waving sadly to their children departing on
a ship for America. A scene in New York
of old Irish men getting their Christmas dinner at church tugs the heart as one
of them sings alone, a sorrowful lament
in Gaelic. In that moment it is not
necessary to speak that language; the sense of loss and yearning is palpable.
I didn’t
grow up hearing stories of my immigrant past.
There was something about being Irish, but it was always followed by a
joke. There was no yearning for the old
country, because it was a given that the reason for leaving was desperation,
poverty, oppression. “Brooklyn” captures
the wave of immigrants who came out of the need to begin a new life with unlimited
possibilities. We don’t often see or
ponder the difficulty of leaving behind the only life one has known to start
over again in an alien place where one has no friends or family. In “Brooklyn” we feel the unbearable
loneliness and the questioning of the decision to emigrate. Homesickness is described by a kindly Irish
immigrant priest as an illness one suffers terribly for awhile, then it moves
on to someone else. Our nation’s
immigrant past and present is far more complex than the narrative of a joyful
arrival at the great “city on the hill.” “Brooklyn” reminds us to understand
and appreciate the courage it took for our predecessors to come here.
As
“Brooklyn” comes to an end, the tears leave slowly. In the sold-out theater where I saw it, this
affecting movie kept much of the audience remaining for many minutes, Kleenex
at hand.